Wednesday, September 14, 2011








‘Stick To Your Guns!’ the guy said to me

The message really matters to some people, so I stand tall with it.


I can tell by some of the comments people make when they see my sign that they feel like I do. I can also see it in their eyes. I can also now see it in the faces of some of the people who pass me on their way into work at the Dept. of Ed. building I stand in front of with the sign. At first none of those people going in the building knew how to react to me. They didn’t know me. They still don’t really, though I’ve given a few of them a copy of this newsletter. I may have looked like an opponent of some kind. Somebody trashing the work they do. Now they smile more; give me a look that says they agree with the sign.



I liked it when the guy blurted out as he walked by, ‘Stick To Your Guns!’. He was an older guy. That’s an old-guy expression. It was good to hear. Like it was coming from my late-father who I sometimes conjure to reinforce my determination. You wonder as you stand there sometimes what you’re doing, what you hope to accomplish. What can one guy do. Frequently when there’s a lull in the stream of people walking by, I turn the sign toward me and read it. The simplicity of it comforts me and charges me up. I turn it back toward the street, and make sure to stand tall. I know how to stand tall, because I’m imitating someone who stood tall in my eyes.


Sit with me on my couch in 1972 in Lakewood, Ohio. I lived there because I moved to Cleveland after college three years earlier to teach in an inner-city Catholic grade school. I needed a teaching job as a deferment from the draft which would have sent me to Vietnam where I didn’t want to go, especially since when I graduated in 1969 in South Bend, Indiana, I was married with a week-old daughter. So I jumped at the teaching opportunity. A lot of guys jumped at teaching jobs then. Anyway I’m on my couch. I can see myself sitting there looking at the college alumni magazine in front of a big window on the second-floor half of a double house we were renting.



There’s a small article up front in the magazine with a picture of a student. There’s something about the guy I’m drawn to. The way he’s standing, I guess. The way he looks. The solitariness of him. He looks like a guy with a sincere purpose. So I fold the magazine back, probably light a cigarette, and read about this guy. His name is Al. He is a student. He’s quiet-looking. Like maybe he’s a swimmer. Thinning blonde hair. White t shirt. White levis, as we called them then. He’s holding a large juice can in front of his chest. The article says he holds this can every day in front of both dining halls during the lunch and dinner hour. There may have been a sign on the can; I can’t recall. But what he’s got the can for is to collect money for Bangladesh, which at the time was going through political and environmental disasters. It was famous then like Haiti or Sudan are now. This guy Al was moved to find a can and use it to help people who 40 years ago seemed much further away than they seem now.


You wouldn’t think that effort of his would seem so important to me. The ‘60s had just ended. Bolder gestures had been made over all sorts of issues of war and peace and poverty. Students had danced, and worn war paint and flowers in their hair, and burned draft cards and hung images of national leaders. Music was involved, drugs were too. Cops got involved. Tear gas sometimes. After all that, what was it about Al that grabbed me as being so radical?

Probably the simplicity of it. The persistence of it. The obviousness of it. The Quaker look of it on a Catholic campus. The way he stood there. By himself. Who knows why we’re drawn to things? All I know is that for 40 years Al has seemed like the way to be. Like Pat Tillman might seem the way to a younger generation.




So I’m there with my sign last week and a guy maybe in his 50s, a white guy in a tie, slows down and says something like, Ain’t that the truth! I look at him and smile. Al probably would have been more stoic. But I smile, and the guy starts telling me he was once in prison, and he was amazed how many of the other prisoners came to him to have him write letters for them. Oh my, I thought, there’s one more example of how not teaching people to read affects their lives. Think about that. Guys in jail came to this guy to have him write letters for them. Not term papers. Not letters to their lawyer. But just plain letters home. By law a young person has to stay in school until they’re 16. So, these guys in jail had been in school from kindergarten or first grade through 10th grade, at least; and could not write well enough to write a letter home. Of course, this is not news, prisoners asking someone else to pen a letter for them. We’ve seen it in movies, and it’s a good scene usually. But I think it’s a scenario that a college professor teaching elementary education prospects could put up on the blackboard at the beginning of the semester and it could be analyzed the whole marking period. How could someone go to public school for 10 years and not know how to read well enough to be able to write well enough to write a basic letter?

If the topic were discussed long enough, some student might say, I wonder if the fact that these men couldn’t read well contributed to the life that landed them in jail. Eureka moment! There you are. That is of course a contributing factor. Imagine being an adult without the skill to write a letter home. That means no emailing either. That means no participating in the common world. How can schools not see that to pass these students on before they can read as well as they should at that grade level is doing a terrible disservice to the kids and their neighborhood and the family they might start some day.

The sign doesn’t say all that. But it implies it. And sometimes people who have to squint and stare a long time to read it, sometimes they’ll say, That’s right, or they’ll just smile sadly as they walk on by.


Message In A Bottle

A woman’s distant family problems wash ashore

Of course I’m excited about this book. Martha Southgate and I worked together 25 years ago on a weekly paper I started in Cleveland. She was interested so much in writing and the arts, she was destined to move here. She’s been here quite a while now. This is her fourth novel. The first three got good praise. The first one won the Coretta Scott King award.

This one’s got Cleveland in it, and it’s got Woods Hole in it, a world away from Lake Erie’s shores. It’s about a woman from a black family with classic books on the shelves. It’s about alcohol and the distance it imposes. it’s about other ways we distance ourselves, too. It’s about the reasons. We read books to see what the reasons might be for how we are. Here’s a graceful, fearless attempt to show us some reasons.


Less Cool By Degrees


A mixed-race young man’s personal culture wars

Thomas Chatterton Williams grew up in the white part of town. In New Jersey. You understand how he is drawn to the black culture he sees in the hip-hop images on the TV in the black barbershop he is driven to every couple weeks. You’re stirred along with him when he finds that new, proud part of his life to identify with. You recognize why he wants to. Part of you wants to too. That’s part of why you’re reading the book.

But he’s not all that. And it doesn’t accommodate all of him. He’s his parents’ kid. Intellectual aspirations are as much a part of him as his basketball and his music. Just hearing that, you can tell it’s a good story. And it’s told well. Williams is lean and truthful. Just like he looks.
Adults and high-school kids will like it. Nothing not to like.


This beautiful six-times-a-year magazine talks about the best photographs in New York’s galleries and museums. Its site is photographmag.com. But get the hard copy.

Tuesday, August 2, 2011




Soul on Ice

The Water Guy’s poem and other things that came my way on the court house steps.

The idea came to me in the night. The sign idea. I’d get a sign made. I’d put a line on it about kids and reading and I’d take it downtown in front of the Tweed Court House where the Department of Education does its business. I’d been there before to a few of their evening public meetings. So I knew the lay of the land. Sidewalk and big steps. I’d go to Kinko’s and get a sign made. I was ready to get out of my apartment with this obsession I had about the schools not teaching poor kids to read.



And so, there I was one morning at 8:00 on Chambers Street, three or four steps up the big rung of stairs in front of the building, holding my sign up, aiming it out toward the passers-by, most of them on their way to work in other buildings. The Dept. of Ed workers I thought I’d see passing me on their way up the stairs, didn’t come that way. They go in side doors underneath the steps. That was not how I imagined it. But I eventually learned to pick them out of the crowd coming in either direction from their subway stations and I made sure they could see my sign.



I wasn’t there to be a jerk, shoving my sign in people’s faces. I just wanted it to be seen. I wanted the people to read the words and think about them. ‘Why Not Teach Every School Kid To Read Well.’ I felt good holding the sign with that message.


No one knew who I was. Some didn’t even know the building was the Dept. of Ed’s. It doesn’t say so. For all they knew I could have been working for some charter school or Hooked-on-Phonics. Or maybe I was running for office. Or maybe I was a nut. But most of the people walking by learned to trust that I was well-intentioned, and as the days went on they’d smile at me. One said she’d missed me the day before. Some folks would nod at me and my sign and say, Right On. Others would say, Amen. A couple older women said emphatically, Absolutely. One guy said his wife teaches science in the city schools. He said she said that when they have to write something, it’s illiterate. How could it nor be if they can’t read well, I thought. You can only learn to write by reading. So I knew I was right to come there with my sign. I was finding out things. People wanted kids to read well. They were telling me. One guy, a young guy, said there ought to be a thousand people there with you with signs.

I hadn’t thought about a thousand people being there. I had imagined a march some day. I had imagined Spike Lee standing there with me. Caroline Kennedy maybe. Justin Tuck. Melo. Sapphire. They could stand by me with my one sign or I’d get others made at Kinko’s for them. I’d do whatever it took to get the message out strongly. I have a feeling something good is going to come of it.



Here’s one thing that’s come already. A couple weeks ago passing below me on the sidewalk was a young black guy pushing a cart of some kind, a big heavy-looking cart , with Styrofoam tubs on it filled with ice and many bottles of water. He was gonna’ sell them to tourists I assumed. Brooklyn Bridge is nearby. Lots of things. Compared to the rest of us on the block, he looked like a farmer tilling rocky soil on a hot day. And he stopped his plow and got my attention. He wondered if I’d read something he wrote. I said sure. He said he’d stop by again and give it to me. A week went by before he got it to me. Here it is.




READ A BOOK



THE ONLY THING THAT’S WRECKIN MY PATIENCE
IS NO EDUCATION
YOU SAY F THAT
2 OF YOUR FRIENDS ARE TUCKED FLAT
15 YEARS OLD WHAT WAS THEIR LEGACY
JUNK FOOD JUNK MOODS AND TREACHERY
THE STREETS IS A MOUTH READY TO EAT YOUR SOUL
AND YOU INSIST ON CHASING INVISIBLE GOALS
I ADMIT THE SYSTEM ONLY TEACH YOU LIES
NOT ONE WORD ABOUT HOW THE AFRICANS DIED
BUT IT TEACH HOW TO READ SO READ A BOOK
AND LEARN HOW TO DEFEND AGAINST THE CROOK
DON’T READ AND YOU WILL ALWAYS FALL SHORT
JUST BLOODY MEAT IN AN ALLIGATOR COURT
BAGGY PANTS AND HAIR IN BRAIDS
20 SOLDIERS AND NO GRENADE
THESE PEOPLE AIN’T SCARED OF YOU
BECAUSE YOU DON’T KNOW WHAT TO DO
BUT READ A BOOK AND SHOW THEM POWER
TELL THEM THEIR HISTORY AND OURS
THEY DON’T CARE HOW LOUD YOUR MUSIC IS
OR WHO THE HOTTEST RAPPER IN SHOW BIZ IS
THEY LOVE THE RAPPERS THEY JUST TALKIN SLICK
SHOWIN YOU HOW TO KILL OUR KIDS
WITH CRACK AND GACKS THAT DON’T CARE ABOUT INFANTS
GOING TO WAR OVER TOPICS THAT’S SENSELESS
READ A BOOK SEE WHAT’S INSIDE
AND YOU WILL KNOW THE WAR IN IRAQ IS GENOCIDE
MUSLIM AGAINST MUSLIM LIKE AFRICAN AGAINST AFRICAN
YOU’LL FIND OUT THAT SNEAKERS AND JEWELRY AIN’T HAPPENIN
YOU’LL STOP MAKIN BABIES BECAUSE THE DESIRE IS THERE
AND OUR WOMEN WILL STOP SEEKING A WHITEWASHED LOVE AFFAIR
DON’T END UP WITH A BULLET IN YOUR NECK
BECAUSE OF A SECT THAT AIN’T RESPECT
DON’T GO TO JAIL BECAUSE YOU ARE HUNGRY
READ A BOOK AND EARN SOME MONEY
USE THE MATHEMATICAL EQUATIONS TO RUN YOUR LIFE
BIOLOGY SO YOU CAN KNOW YOUR WIFE
HISTORY SO IT CAN STOP REPEATING
CHEMISTRY SO YOU CAN KNOW WHAT YOU’RE EATING
ENGLISH SO YOU CAN REWRITE THE CONSTITUTION
AND PHYSICS SO YOU CAN STOP THE POLLUTION
OF NATURE, THE BODY, THE WATER, AND THE MIND
READ A BOOK BECAUSE IT’S NATION TIME…

-MUKI



The Art of Sending Postcards



Making an old thing new again



I’ve got two young granddaughters in Wyoming. A couple months ago it hit me that I should send them a postcard every week or two. So I’ve been doing that. What a wonderful connective thing it is to do. For the sender anyway. I have no idea how big a deal it is for them. They’d rather get stickers, I’m sure. But it’s fun to pick out the cards. It gets you to museum stores. And that’s a good thing. You get to swim around all the great stuff there. And then to leave with a bag so thin, it could be 1965 and you’ve got the new Beatles 45. It’s all cool.




Back home on the couch, a photo book beneath you for a lap desk, you think what you want to say. 15-20 words are all you’ve got room for. The pen moves nicely in the little space. It makes a mark. It’s your mark.



These times still demand the Times



Read it with your English muffin in the morning



I haven’t signed-up for the online edition of the Times. I buy it every morning around 6:00. I like to go out to get it. It looks great in a stack under a light outside the magazine store a block up the street. I get a cup of coffee while I’m out, and an orange and a banana to go with my peanut butter-slathered English muffin. I love getting back to my apartment, putting my fixins on a plate, and then taking it to the couch with the paper. It’s quiet. The computer is still dark in the other room. No TV, no radio. Just the Times and me. By lamplight.

Knowing I don’t have unlimited access to the online edition makes me read the paper version more thoroughly. I spend over an hour with it. I probably save time that way though. If I had online access still, I’d waste who knows how much time during the day. This way is better. I recommend it. On all levels.