Sarah McNally, Unfiltered, on Her Soho Bookstore’s Forced Move
“I never thought I was a genius, but in the last week, I’ve discovered that I am.”
Sarah McNally in front of her Soho bookstore, McNally Jackson.
Photo: Melissa Hom
Sarah
McNally walked into her store on Thursday morning, in dark jeans and a
black suede jacket, 10 minutes late for our interview. She shook my hand
and apologized. “I lost my dog this morning,” she explained. “I was
looking everywhere. I was like, Where is the fucking dog?!” The mutt, Chief, was now at McNally’s heels. “Then I found her under the covers of my bed.”
I
was here to discuss what’s next for McNally Jackson, the revered
bookshop McNally opened in Nolita in 2004. Earlier this month, the Lower
East Side website Bowery Boogie broke the news that the store
would be leaving the Prince Street building it’s always occupied. Panic
spread on Twitter — was one of the last great indies about to shutter? —
but McNally quickly reassured everyone that she was just moving to a
new spot, on account of a stratospheric rent increase. As we stood in
the store’s cafe, McNally noticed we were short a chair. She’d told a
staffer to get more, she muttered: “How fucking hard is it?” It didn’t
feel like a rhetorical question. Then she took note of the customers
around us. “It’s all right,” she said. “I’ll just have to control
myself.” I suggested we head downstairs, instead — to a basement space
that hosts readings most weeknights.
McNally,
surprisingly brash and unfiltered for a bookstore owner, is
iconoclastic in other ways. As all of the city’s independent bookstores
have struggled to redefine themselves in the age of Amazon, she’s not
only succeeded — her company opened a second store in Williamsburg in
January — but tacked in a different direction. Unlike newish Brooklyn
shops that double as social spaces, heavy on author events and
relatively light on inventory, McNally Jackson focuses on hardcovers and
paperbacks and marginalizes all else. The owner estimates there are
14,000 books in the literature section alone.
All
those books take up space — which in Manhattan has become expensive
enough to amount to something of a retail crisis. There’s pending city
legislation that would give small businesses more security, including
the right to a 10-year lease and the chance to negotiate rent increases
with the help of an independent arbitrator. But McNally says the
real-estate market is better for her now than it would have been five
years ago, when the store might not have survived a hike like this one.
Settled
in at a long table downstairs, with Chief avidly licking her fingers,
McNally explained how she’d chosen Prince Street in the first place. She
was 29 at the time, the scion of two Canadian booksellers (her parents
own the McNally Robinson chain), looking to open a store of her own. “I
went down to the Department of Land Use,” she said, “and I got a map —
huge, black-and-white, printed on shitty paper, with every building in
the city. I colored in all the movie theaters, the cultural centers. I
colored in pedestrian flow. This became the obvious area.” Her
fingers rapped the table. “All the brokers were like, ‘You can’t open on
that side of Broadway. You’re wrong.’ But I knew I wasn’t, because I’d
drawn this thing out. And I wasn’t.”
Choosing
a highly trafficked spot was critical, because her business model is
built on brick-and-mortar browsing. A large share of her sales, she
says, come from impulse purchases. And it’s true that for browsing,
especially in world literature — Romanian poetry or new Nigerian fiction
— there’s no better store in the city.
McNally
takes personal pride in her store’s design. After directing a customer
to the basement restroom, she flapped her hands in excitement. “We just
made this new Borges bathroom — have you seen it? It’s so rad! It’s so rad! That Borges cover — is it Labyrinths?
That’s all mirrors? I modeled it on that, so I put mirrors all around,
these sort of infinity mirrors. And we piped in audio from Borges’s
lectures.” She gave due credit to her forebears in indie retail design:
Kim’s, the dearly departed East Village video shop she frequented 20
years ago as a new arrival to the city, and Paul Yamazaki at San
Francisco’s legendary City Lights Books. “Paul wants every inch of his
shelves to be devoted to books people would probably not otherwise
find,” she explained. “I’m not a purist like that at all, but his
courage is in my mind, always.”
McNally
may be house-proud, but she isn’t remotely attached to the building
itself, aside from the rent — $360,000, below market rate for the
neighborhood. She had expected to pay more when her lease runs out next
June, but was surprised when the landlord, Alex Berley, told her how
much he wanted: $850,000. She says she asked for time to think it over,
and meanwhile began looking for a new spot in the neighborhood. Then, on
October 9, she was caught off guard again. Bowery Boogie reported that
Winick Realty Group was advertising the building for lease, starting
next summer. (Berley could not be reached for comment.)
McNally
responded with her own statement the same morning, calling the building
“shoddy” and mentioning that it was “thrown up over a former chicken
abattoir.” Downstairs in her store, she told me she regretted those
comments — before continuing in that vein. “I was so mad at that
dickhead,” she said. “But yeah, I can’t tell you how bad this building
is. There’s not a single right angle in this entire place” — a flaw
elegantly disguised by the bookshelves. “There are problems with the
plumbing. When you look at the ceiling upstairs, you realize, Holy shit, she’s got a lot of leaks. The paint is peeling all the time. So it’s okay to leave.”
In
recent days, concerned customers have been calling in for news, while
McNally’s friends approach the topic gingerly. But McNally actually
seems thrilled, if only because it gives her a chance to design more
stuff like the Borges bathroom. She says she’s finalizing the lease on a
new place nearby and hopes to announce the location, along with
architecture plans, within a week or two. It’s large enough that she can
fold one branch of Goods for the Study — a stationery store that has
two downtown locations — and merge it into the new space. She pictures a
rare-books room with a fireplace, and she’s already working with an
architect on plans for balconies and skylights.
McNally
pulled out a notebook and started showing me sketches: an arch at the
entrance, a staircase surrounded by bookshelves. “I never thought I was a
genius, but in the last week, I’ve discovered that I am. I’ve
discovered my own genius in the last week! In this bookstore design.
It’s going to be fucking heaven. It’s going to be fucking heaven on
earth.”
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